iheartmyart: Barbara Kruger (via fullstopcommawhite)
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iheartmyart:

Barbara Kruger

(via fullstopcommawhite)

simko: Imprints by Mitchell Feinberg for Muse Magazine… Such an infuriatingly simple idea. Imagine all the times anyone in the world has ever messed about with making imprints in flour, and in all that time only Mitchell Feinberg, fashion photographer extraordinaire, has actually put it to good use. In a series shot for Muse Magazine, Feinberg drops an array of incredibly expensive things into flour/sand/cornflour/moondust with outstanding results. I don’t know if I’m alone here, but something tells me that I’m going to prefer Feinberg’s ghostly imprints to the real clothes themselves. (via)
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simko:

Imprints by Mitchell Feinberg for Muse Magazine…

Such an infuriatingly simple idea. Imagine all the times anyone in the world has ever messed about with making imprints in flour, and in all that time only Mitchell Feinberg, fashion photographer extraordinaire, has actually put it to good use. In a series shot for Muse Magazine, Feinberg drops an array of incredibly expensive things into flour/sand/cornflour/moondust with outstanding results. I don’t know if I’m alone here, but something tells me that I’m going to prefer Feinberg’s ghostly imprints to the real clothes themselves. (via)

iheartmyart: Brie Ruais, Sweaty St. Theresa, 2011
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iheartmyart:

Brie Ruais, Sweaty St. Theresa, 2011

zerotoinfinity:

illustrations by Carlos Ocampo

(via artfortune)

kristinabrownie:

Karen Tauches and Cooper Sanchez’s billboard/meadow collaboration Paradise

photos: Eamon Siggins

(via sarahchristine)

iheartmyart: David Batchelor, Brick Lane Remix I, 2003, Shelving Units, found light boxes, fluorescent light, vinyl, acrylic sheet, cable, plugboards 204 x 435 x 38 cm 
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iheartmyart:

David Batchelor, Brick Lane Remix I, 2003, Shelving Units, found light boxes, fluorescent light, vinyl, acrylic sheet, cable, plugboards 204 x 435 x 38 cm